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Stone Temple Pilots (often abbreviated as STP) are an American rock band from San Diego, California, that originally consisted of Scott Weiland (lead vocals), brothers Dean DeLeo (guitar) and Robert DeLeo (bass, backing vocals), and Eric Kretz (drums).


1985–1992: Formation and early years as Mighty Joe YoungEdit


Two conflicting stories of how frontman Scott Weiland and bassist Robert DeLeo met have been described by the band; one was that Weiland and DeLeo met at a Black Flag concert in Long Beach, California in 1985. They began discussing their girlfriends, only to realize they were dating the same woman. However, instead of letting this come between them, they developed a bond and formed a band after they each subsequently broke it off with the girl. Weiland presented a different version of meeting Robert in his autobiography, stating that Weiland and his friends—guitarist Corey Hicock and drummer David Allin—pursued Robert after witnessing him play live with him sitting in during sets at various gigs with their band Soi Disant.

However, after a few years Allin went his separate way pursuing other interests. The remaining members witnessed drummer Eric Kretz play in a Long Beach club and convinced him to join the band. Guitarist Hicock eventually left the band in 1989; in need of a replacement and auditioning many guitarists, Robert suggested his older brother, Dean. At the time, Dean was a successful businessman who had left behind his previous career as a musician, but still played guitar as a hobby. The band managed to convince Dean to play guitar for Swing, completing the original STP lineup. Dean reportedly refused to continue playing in a band called "Swing," [11] and shortly afterwards the band became Mighty Joe Young. The band recorded a demo tape that was completed around 1990. The Mighty Joe Young demo features tracks that would go on to be re-recorded for the band's first studio album, as well as some musical styles that would not be featured on any of STP's studio albums, such as funk and yodeling.[12]

Mighty Joe Young played several gigs in the San Diego area, building up a fanbase.[11] Their first show was supporting Henry Rollins at the Whisky a Go Go. The group then began to work on their debut album with Brendan O'Brien. During the recording, they received a call from their lawyer who informed them that there was a bluesman who had already claimed the name Mighty Joe Young.[13] Inspired by the STP Motor Oil stickers that the band members were fans of in their youth, various ideas on the initials "STP" were shared by the band, including "Shirley Temple's Pussy" and Stereo Temple Pirates. They eventually settled on the name "Stone Temple Pilots."


1992–1995: Core and PurpleEdit


Stone Temple Pilots developed a fan base in San Diego clubs. In 1992, Stone Temple Pilots signed with Atlantic Records. Their first album, Core, was released on September 29, 1992, and peaked at No. 3 on the Billboard Albums Chart. Core was a big success, producing hits "Sex Type Thing," "Plush," "Creep", and "Wicked Garden." While the album was a major commercial success, some[who?] in the music press criticized the band as "grunge imitators." The same year, Scott Weiland and Dean DeLeo played an acoustic version of "Plush" on the MTV show "Headbanger's Ball." This is considered one of Weiland's greatest vocal performances.[14][15]

Despite negative reviews from some critics, Stone Temple Pilots continued to gain fans. They toured for four weeks, opening for bands such as Rage Against the Machine and Megadeth. 1993 brought continued success on the road, with the band headlining a two-and-a-half-month American tour.


In 1993, the band filmed an episode of MTV Unplugged, where they debuted the song "Big Empty." In a January 1994 Rolling Stone poll, the band was simultaneously voted Best New Band by Rolling Stone's readers and Worst New Band by the magazine's music critics. The following month the group won Favorite Pop/Rock New Artist and Heavy Metal/Hard Rock New Artist at the American Music Awards. In March 1994, the group won a Grammy Award for Best Hard Rock Performance for the song "Plush".[16]

In the spring of 1994, Stone Temple Pilots returned to the studio to work on their second album, Purple. Completed in less than a month, Purple debuted at number one in the United States upon its release on June 7, 1994. The radio-friendly "Interstate Love Song" quickly became a big hit, spending a record-setting fifteen weeks atop the album rock tracks chart. Other hits from the album included "Vasoline" and "Big Empty" (the latter also being featured on the soundtrack to the film The Crow). By October, just four months after its release, Purple had sold three million copies.


1995–2002: Tiny Music, No. 4, and Shangri-La Dee Da

Edit

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Stone Temple Pilots performing at the Rolling Rock Town Fair in August 2001.

In October 1995, the band regrouped to begin recording its third album, renting out a mansion in Santa Barbara, California for the band to live together during the recording process.[17] Stone Temple Pilots released the album Tiny Music... Songs from the Vatican Gift Shop, on March 5, 1996. The album's sound marked a drastic change from their previous outings, oriented more in the direction of glam rock and psychedelic music than that of the hard rock/grunge sound that propelled them to popularity; critical reception, at the time, was mixed.[18][19][20] Rolling Stone, a magazine known for its initial dismissal of the band's music, held a favorable opinion of the album, regarding the release as the group's best effort to date. They expressed surprise, however, at "the clattering, upbeat character of the music" given Weiland's much-publicized run-ins with drugs and the law. Stone Temple Pilots were also featured on the cover of issue No. 753 in February 1997.[21]

The band was only partially successful in being able to tour in support of Tiny Music... and pulled out of a support slot on Kiss' reunion tour. A short tour in the fall of 1996 ensued in the U.S. but final dates at the end of December in Hawaii and some dates in 1997 had to be cancelled in order for Weiland to go to rehab. The band then decided to take a break to work on other projects. "I can't call the kettle black," remarked Kiss drummer Peter Criss. "I just pray for the guy and hope that he gets himself better because they really are a great band."[22]

The band, sans Weiland, recruited Dave Coutts, the frontman of Ten Inch Men, and performed under the moniker Talk Show. Talk Show released one eponymous album in 1997 before dissolving. Meanwhile, pursuing his own musical interests, Weiland released his first solo album, 12 Bar Blues, in 1998. Although both albums received moderate critical praise,[23][24] neither was commercially successful.


In late 1998, the band regrouped and began work on a fourth Stone Temple Pilots album.[11] Released in 1999, No. 4 was conceived as a "back-to-basics" rock album in the vein of Core or Purple. Stephen Thomas Erlewine of AllMusic compared the album's sound to contemporary alternative metal bands and wrote in his review "it's as if STP decided to compete directly with the new generation of alt-metal bands who prize aggression over hooks or riffs."[25] STP scored one of its biggest hits since the success of Core and Purple with the single "Sour Girl", fueled by a popular music video starring Sarah Michelle Gellar of Buffy the Vampire Slayer fame. The band also recorded an episode of VH1 Storytellers, and went on a summer tour with the Red Hot Chili Peppers.[11] No. 4 would eventually be certified platinum by the RIAA.

During the summer of 2001, the band released its fifth album, Shangri-La Dee Da, which produced one modest rock radio hit in "Days of the Week." Despite promotion of the album by going on tour with Linkin Park and Godsmack on the Family Values Tour, Shangri-La Dee Da was a commercial disappointment. At that point, marketing support from their label was reportedly minimal, and the band decided to put a hold on any future albums. However, the band recorded "All in the Suit That You Wear," a song intended to be the lead single on the soundtrack for the 2002 film Spider-Man. However, Chad Kroeger's song "Hero" was ultimately chosen as the lead single.


2002–2008: Separation and members' other projectsEdit


Despite reports that the band had begun work on a sixth studio album in 2002, the band had dissolved by the end of that year,[26] after reports of an altercation between Dean DeLeo and Weiland after the last show of Stone Temple Pilots' fall 2002 tour.[27] As a capstone to the band's career, Atlantic Records released a greatest hits album, Thank You, with a bonus DVD of archive material and music videos, in 2003.



Following the band's dissolution, Weiland was recruited to join the successful supergroup Velvet Revolver with Guns N' Roses members Slash (guitar), Matt Sorum (drums), and Duff McKagan (bass) and former Wasted Youth guitarist Dave Kushner. The band released two albums, Contraband in 2004 and Libertad in 2007 before breaking up in 2008. Likewise, the DeLeo brothers formed the supergroup Army of Anyone with vocalist Richard Patrick of the industrial rock band Filter and session drummer Ray Luzier. The band released its self-titled in 2006 before going on "indefinite hiatus" in 2007. Eric Kretz kept a lower profile during this time, operating his own studio, Bomb Shelter Studios, and drumming for the band Spiralarms.


2008–2011: Reunion and self-titled album

Edit

<img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Stone_Temple_Pilots_in_Los_Angeles_2008.JPG/250px-Stone_Temple_Pilots_in_Los_Angeles_2008.JPG" decoding="async" width="250" height="148" class="thumbimage" data-file-width="561" data-file-height="333">

The band greets fans after its first show since 2002 at the Houdini Mansion on April 7, 2008.

According to Dean DeLeo, steps toward a Stone Temple Pilots reformation started with a phone call from Weiland's wife, Mary Forsberg. She invited the DeLeo brothers to play at a private beach party, which led to the reconciliation of Weiland and the DeLeo brothers.[28] In 2007, Dean DeLeo and Weiland discussed a concert promoter's offer to headline several summer festivals. Weiland subsequently left Velvet Revolver in April 2008 and the following month, Stone Temple Pilots announced they were reuniting for a 65-date North American tour. The group officially reunited for a private gig at the Houdini Mansion and held their first public show on Jimmy Kimmel Live! on May 1. Stone Temple Pilots toured throughout the summer and fall, headlining the Virgin Mobile Festival in Baltimore on August of that year as well as the 10th annual Voodoo Experience in New Orleans. The band's six-month reunion tour wrapped up on Halloween 2008 in Pelham, Alabama.



After taking a short break to allow Scott to support his recently released second solo album, production for the band's sixth studio album began in mid-2009.The band also went on the road for a 13-date North American summer tour in 2009, taking place in-between the tours for Scott Weiland's second solo album. .[29] The band showcased new material at South by Southwest in 2010,[30][31] and also appeared at England's Download Festival 2010 in June,[32][33] as well as at the Hurricane Festival and the Southside Festival in Germany.[34] The band also performed during the Final Four Concert Series in Indianapolis on April 2, 2010. The band appeared on the Late Show with David Letterman for the first time in ten years on May 19, performing "Between the Lines".[35] The band's self-titled sixth album was released on May 25, 2010,[36] debuting at No. 2 on the Billboard 200.

Towards the end of 2010, STP announced they were rescheduling several U.S. tour dates so that the band could take a "short break". STP toured Southeast Asia for the first time in 2011, playing in Philippines (Manila), Singapore, and Indonesia (Jakarta). Following this, the band played successful shows in Australia, including sold out performances in Sydney and Melbourne.[37]


2011–2013: Split with Weiland and legal proceedingsEdit





2011–2013: Split with Weiland and legal proceedingsEdit


In December 2011, Dean DeLeo told Rolling Stone, "what I'd like to see happen is the band go out and do more intimate shows—really lovely theaters around the country." DeLeo also commented on a possible extended reissue of Core including live archived material, "We have tons of live recordings from that era, and we didn't multi-track record that stuff. There's no fixes, so they'd sound incredible if we just master them."[38] On January 2, 2012, Scott Weiland also commented on the 20th anniversary of Core, saying "Well, we're doing a lot of special things. [There's] a lot of archival footage that we're putting together, a coffee table book, hopefully a brand new album—so many ideas. A box set and then a tour, of course."[39]

On June 26, STP released its first-ever concert film, Alive in the Windy City, on DVD and Blu-ray. The performance was filmed at a sold-out show in March 2010 at the Riviera Theatre in Chicago.[40]

From then on, the band began to experience problems, and suspicions were raised that tensions within the band had arisen again. Despite the band's claims that their fall tour would be celebrating the 20th anniversary of Core,[41] this did not happen. According to Weiland's bandmates, they did not want to do the celebration because they believed that he no longer had the vocal range to perform some of the album's songs. Weiland then decided to perform the latter songs that they did not want to play on a separate solo tour. The rest of the band decided to hide their anger and frustration towards his decision, causing Weiland to assume that they were all on the same page.[citation needed]




On September 17, at a show in Abbotsford, British Columbia, STP arrived nearly two hours late, and cut their set 30 minutes short, angering many fans.[42] The following day, the band released a brief statement announcing that that night's show in Lethbridge, Alberta was cancelled due to Weiland being ordered to go on "48 hours complete vocal rest due to strained vocal cords."[43]

On December 7, in response to a public declaration from Weiland that he was "completely open" to returning to Velvet Revolver and a radio DJ's questions about the state of that band, Slash (Weiland's former bandmate with Velvet Revolver) told Minneapolis/St. Paul radio station 93X that he had heard rumors Weiland had been fired from Stone Temple Pilots, citing this as a possible reason for Weiland's eagerness to return to Velvet Revolver, something that he quickly dismissed.[44]

On February 27, 2013, Stone Temple Pilots fired Weiland.[1] The firing was officially announced as Weiland left on tour with his solo band.[45] Both parties issued lawsuits over the right to perform with the Stone Temple Pilots name; both were settled out of court, with the DeLeo brothers and Kretz retaining the rights to perform under the name.[46]




2013–2015: With Chester Bennington, and Weiland's deathEdit


On May 18, 2013, the three remaining members of Stone Temple Pilots performed with Chester Bennington of Linkin Park, appearing as special guests at the 21st Annual KROQ Weenie Roast, and the May 19, 2013 Live 105 BFD festival near San Francisco, where they performed a new song, "Out of Time."[47]

On May 19, 2013, STP released a free download of their new single "Out of Time" with Bennington now an official member. Bennington had exclaimed years before in interviews that being in Stone Temple Pilots was his lifelong dream. The new lineup performed again on May 30, 2013 at the MusiCares MAP Fund Benefit Concert in Los Angeles, California,[48] and were joined by Weiland's former bandmates Slash and Duff McKagan on stage to perform "All the Young Dudes".[49]

On July 15, 2013, STP announced that it would embark on a small tour in September with Filter as the opening act.[50] Stone Temple Pilots released a five-track EP titled High Rise on October 8, 2013, through Play Pen, LLC, credited as Stone Temple Pilots with Chester Bennington.[51] The album's second single, "Black Heart," was released through iHeart Radio on September 18, 2013. They officially dropped "with Chester Bennington" from their name in March 2015.[52]

On November 9, 2015, Bennington announced he was amicably leaving Stone Temple Pilots to focus more on Linkin Park.[2][3] He would not return to the band, later dying in 2017.[53]

On December 3, 2015, Scott Weiland was found dead of an accidental overdose of alcohol, pills, and cocaine on his tour bus in Minnesota.[54] Stone Temple Pilots released a statement noting his passing in which they thanked him for his time with them and said he was "gifted beyond words."[55]



2016–present: New singer Jeff Gutt and second self-titled albumEdit


In February 2016, Stone Temple Pilots launched an online audition for a new vocalist, stating, "If you think you have what it takes to front this band, record with this band, and tour with this band, we would dig hearing from you."[5] In September of that year, rumors circulated about "Fillipino musician John Borja being the top candidate for the job."[56] In February 2017, it was reported by AlternativeNation.net that the band "has already selected their singer, so they have their hearts set on somebody," though it was not revealed who. That same article, however, called Borja and X Factor season 3 runner-up Jeff Gutt "two rumored finalists."[57]



On July 26, 2017, the band announced that a 25th anniversary edition of Core would be released on September 29, 2017. The reissue includes a 25th Anniversary box set, it includes a remastered version of the album, previously unreleased demos and b-sides, and parts of three live performances from 1993 (Castaic Lake Natural Amphitheater, Reading Festival, and MTV Unplugged.)[58]

In October 2017, Dean DeLeo said that the band's search for a new vocalist was "going great," and that the band is "working on new material."[59] On November 14, the band revealed that Jeff Gutt had been chosen as their new lead singer.[60]

On November 15, 2017, the band released a new song, "Meadow" from their upcoming studio album.[61] On January 31, 2018, the band released a second new song, "Roll Me Under," as well as announced the release of its seventh studio album. The LP, which is the band's second self-titled album, was released on March 16, 2018.[10] In mid-2018, the band embarked on a co-headlining tour with Bush and The Cult.[62]



Influences : 

The band's sound is considered a blending of the alternative rock of the 1980s and 1990s with the hard rock of the 1970s, though the band is known for making each of their records possess a unique musical style, despite having the "sonic blueprint" of the band, as Robert DeLeo describes.[63][64] Stone Temple Pilots have also been described as alternative metal[65][66] and neo-psychedelia.[67] The band Aerosmith was a large influence on the band collectively, with guitarist Dean DeLeo acknowledging the band's influence on songs such as "Huckleberry Crumble" off their 2010 self-titled record. Steven Tyler and Joe Perry joined the band onstage at a 1996 show in Madison Square Garden for renditions of the Aerosmith songs "Sweet Emotion" and "Lick and a Promise". All of the band members were Kiss fans during their childhood, and played shows at the Roseland Ballroom in 1993 dressed in Kiss-style makeup. During the taping of their VH1 Storytellers performance, Weiland acknowledged artists such as The Rolling Stones, Neil Young and Robert Plant as their musical heroes. The band has covered songs by artists such as the Beatles,[68] Led Zeppelin, The Doors, Pink Floyd, James Brown, David Bowie, and Bob Marley both live and in the studio.

Early in their career, the band was considered to be a part of the grunge movement. Despite assertions by critics that their style in the early–mid 1990s was derived from contemporary artists such as Alice in Chains and Soundgarden, the band maintained that the similarities were coincidental, due in part to having the same musical idols growing up. Much of the comparison was directed at Weiland's vocal style drawing similarities to that of Eddie Vedder's. Weiland stated that his vocal style is influenced by Jim Morrison and David Bowie, who also served as his main fashion influence. Weiland has been called a chameleon due to his ability to change his vocal and fashion style.[69] Regarding the band's musical evolution, Weiland commented in 2014 that "with STP, we never stuck to it. We saw that even great movements only last a certain period of time and you don’t want to be pigeonholed, so we got into other things, like the Beatles were a big influence, glam was a big influence, and it morphed along the way. I’m proud of the legacy we created and where we stand among those other peers at the time."[70]

Guitarist Dean DeLeo uses heavily layered and distorted guitar playing, while bassist Robert DeLeo draws influence from genres such as rhythm and blues, lounge music, and ragtime. Although the band's early demo recordings displayed a funk rock sound,[71] the band's first album Core was a straightforward display of grunge. After reconvening in the studio for their second album, Purple, the band's style developed, taking influence from psychedelic rock, country music, and jangle pop. The band continued to diverge into various genres and influences; for example, songs like "And So I Know" on Tiny Music... have a distinct bossa nova sound. Regarding the evolution of the band's sound, Weiland commented that "the transformation from Core to where we ended up before we took that time off, when I started with Velvet Revolver, was enormous."[72]


Weiland was the band's primary lyricist. His style changed with the band's evolution; much of the lyrics on Core were written about societal issues such as religion, abuse of power, and isolation. The band's breakthrough single "Sex Type Thing" polarized critics with its lyrics, some interpreting it as advocacy of date rape.[73] Weiland intended it as a feminist anthem, with its lyrics written in mockery of the narrator. As Weiland began to deal with substance abuse, his lyrics became more personal and intricate; songs like "Interstate Love Song" deal with his addiction's tolls on his relationship with his then-wife, Janina. The lyrics of the band's fourth album were written to provide closure to his marriage and addiction to heroin. Following the band's reunion in 2008, Weiland once again evolved as a songwriter, explaining: "[In] the '90s, I was so overwhelmed with my heroin addiction, and so a lot of the stuff was just from my point of view. Now, I tend to look at some of the greats like Leonard Cohen and Bob Dylan. I look at their storytelling [and] I try to tell stories. Every song doesn't have to be narcissistically written about how I feel on that day."


Legacy : 

Core, certified 8× platinum by the RIAA, drove the band to popularity.[74] STP went on to become one of the most commercially successful rock bands of the 1990s, selling 40 million records worldwide,[28] including 17.5 million units in the United States,[75] before their dissolution in 2002. The band has had 16 top ten singles on the Billboard rock charts, eight of which peaked at No. 1,[76] and one No. 1 album for Purple in 1994.[77][78] That same year, the band won a Grammy for "Best Hard Rock Performance" for the song "Plush" from the album Core.[79] Stone Temple Pilots were also ranked No. 40 on VH1's The 100 Greatest Artists of Hard Rock.[80] As of 2015, the band has sold over 40 million albums worldwide [81]

Despite being unpopular with critics in their heyday, Stone Temple Pilots have proved to be a popular and influential act. In retrospect, MTV writer James Montgomery published an article questioning the validity of music critics opinions of the band during the 90s, saying, "All I'm suggesting is that perhaps it's time to admit that we were wrong about them from the get-go—that we treated them unfairly."[82] In a review of the band's 2003 greatest hits collection Thank You, AllMusic critic Stephen Erlewine wrote that "STP made music that sounded great at the time and even better now," and that "this music has stood the test of time," calling Thank You"nearly perfect."[83] Erlewine also wrote that "STP was the best straight-ahead rock singles outfit of their time."[78]

After the death of Scott Weiland, Smashing Pumpkins singer Billy Corgan paid official tribute to the band and musician, calling him one of the greatest voices of their generation:

"It was, I'd guess you'd say, my way of apology for having been so critical of STP when they appeared on the scene like some crazy, man-fueled rocket. And not only was the knight up front freshly handsome to a fault, but he could sing too! As any supreme actor gives a real and different voice to each character played. It was STP's 

3rd album

that had got me hooked, a wizardly mix of glam and post-punk, and I confessed to Scott, as well as the band many times, how wrong I'd been in assessing their native brilliance. And like Bowie can and does, it was Scott's phrasing that pushed his music into a unique, and hard to pin down, aesthetic sonicsphere. Lastly, I'd like to share a thought which though clumsy, I hope would please Scott In Hominum. And that is if you asked me who I truly believed were the great voices of our generation, I'd say it were he, 

Layne

, and 

Kurt

."

[84]



On December 3, 2016, STP posted a tribute on their website to mark the one year anniversary of Weiland's death.[85] In 2017, Metal Injection ranked Stone Temple Pilots at number 9 on their list of "10 Heaviest Grunge Bands."[86]


Band membersEdit


Current members

  • Dean DeLeo – guitar (1989–2002, 2008–present)

  • Robert DeLeo – bass, backing vocals (1989–2002, 2008–present)

  • Eric Kretz – drums (1989–2002, 2008–present)

  • Jeff Gutt – lead vocals (2017–present)


Former members

  • Scott Weiland – lead vocals (1989–2002; 2008–2013; died 2015)

  • Chester Bennington – lead vocals (2013–2015; died 2017)

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“Combining their inventive sound with a forward-thinking musicality, Scott Weiland consistently manage to hit all the right notes. With undeniably unique songs and engaging performances, this is one Musician to keep your eyes (and ears) on.”

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Core

Also, Weiland wasn’t a brooding introvert a la Vedder (or Nirvana’s Kurt Cobain, Soundgarden’s Chris Cornell or Alice in Chains’ Layne Staley)—he wanted to be a rock god in the classic sense; he strutted the stage like Robert Plant or Mick Jagger or Steven Tyler, and brought a sexual energy to an otherwise SERIOUSLY ARTISTIC genre.

Purple

Emboldened by the experiences that had occurred over a difficult few years for the band, vocalist Scott Weilandchanneled some of the tensions and self-reflection into the lyrical content, while the remaining band members upped their game providing the musical portions and expanding the group's sounds.

Weiland told RIP Magazine, "I'm so confident with the songwriting of the people in this band, the people I play music with, that I'm not going to let any person try to judge me as a person or songwriter, because I know where we're at. I'm not saying we're better than everybody else, but we're a completely different entity than anyone else. I'm satisfied with this album, and I hope that we continue challenging ourselves and progressing as songwriters."

album #3

When news of Weiland’s passing hit, I tweeted “I loved STP back in the day, but being an insecure teenager felt weird about it because of Pavement/critics/’authenticity.’ Different times.” and went on to talk with some of my music writer friends about how unthinkable it would be today for a popular band to get crucified for being “inauthentic.” There’s multiple reasons this once-common concept now seems so alien, but I think the main five are: 

1) As Brian Eno once said, nobody owns any particular sound or idea, and stealing from someone and then making their thing your thing is how art works. This idea is more commonly accepted than it once was. (Which is not to say cultural appropriation isn’t a problem, but let’s parse that line some other time.) 

album #4

Sour Girl is definitely the song that caught everyone's attention, with the well written lyrics that showed Scott's fading marriage to his wife, Mary. Again, he holds notes with incredible quality as usual, and a big surprise in this song has definitely got to be Rob's bass. This is one of the few well produced songs that Brendan O' Brien has shown mastery on, and the bassline in this song is rather refreshing. But then we have No Way Out, which this song, along with MC5, are the two worst songs on this averagely weak album.

5th album

Another big addition to this new flavor of STP is a penchant for trying on old suits in a new changing room, attempting to recapture sounds that never really belonged to the band but seem to carry a sleek fit. “Cinnamon” has a very Paul Westerberg vibe, “Dare If You Dare” comes off as a mixture of Chris Cornell-ish vocals and old STP sound, while  “Hazy Daze” seems to be channeling Jane’s Addiction, and in such a fine linen fashion it is very much a guilty pleasure — both for STP and for us fans. Aside from the Mats stab, Stone Temple Pilots manage to prove that every sound that surrounds them is welcome to their party, and I’ll be damned if it does not meld well with the entire idea of being refreshed.

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Scott Weiland
The Most Wonderful Time of the Year
Softdrive Records

Commercialism and consumerism can easily bring out the Grinch in even the most ardent Christmas enthusiast. It seems as though nobody’s immune to picking the pockets of their fans with some sappy yuletide wishes. Bono once informed everyone that “There won’t be snow in Africa this Christmas,” Bob Dylan had a disaster of a Christmas album in 2009 (Christmas in the Heart), and Michael Buble is currently robbing your parents of their hard-earned money with his cleverly titled album, Christmas. So it’s easy to be skeptical of a recovered junky releasing seasonal wishes through song. But like a diamond in a pile of coal comes former-Stone Temple Pilots frontman, Scott Weiland. Here we have nine freshly minted renditions of classic Christmas cuts (and for good measure a Weiland original, “Merry Christmas and Many More”).

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Art of Anarchy

2015

last side project for Scott Weiland

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till the dust is gone

Scott Weiland Says Supergroup Was ‘Scam From the Beginning’


“I was paid to do it,” singer says of hard-rock group’s debut LP. “”I didn’t even know what their names were”

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